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Re: Type pricing and licensing: as a tool or material?
Hmm. My memory is that pre-2009 almost the entire Web was Verdana, and after 2009 Verdana was almost nowhere. The uptake of webfonts was incredibly rapid as soon as the format was agreed, and the for…5 -
Re: metrics in InDesign different than in FontForge
Or ever. TrueType has always been able to have arbitrary UPM.3 -
Re: A fair compensation for adding Cyrillic set to other designer's typeface
Regarding pricing, you need to decide who will own what rights as part of the contracted work (and, yes, there should be a contract, even though you are friends—especially if you want to remain frien…8 -
Re: Which is the most effective naming convention for optical sizes?
Hrant, But I do not make fonts based on beliefs or assumptions about typography, and certainly not with intent regarding their use in a sense that such use-specific terminology as Caption or Subhead …1 -
Re: Which is the most effective naming convention for optical sizes?
Alex, No, optical size is just physical size, all the other variables that you identify—excepting distance, which is presumptive in optical size—are things that may be adjusted for alongside optical …2